The Rocky Horror Show Has Electrified Broadway With a Glittery Spin on the Cult Classic

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In bringing Rocky to life, both designers drew inspiration from the Club Kids, those exuberant, fashion-obsessed personalities who ruled and fueled New York City’s nightlife in the 1980s and ’90s. They also wanted to pay tribute to the show’s influence from and in drag culture, not solely acknowledging how the role of Frank-N-Furter defies gender norms, but also how Rocky has introduced liberation to countless young people over the past 50 years.

“Drag is so dependent on your self-expression that I wanted that to be communicated through [each performer’s] makeup looks, so I wanted to give the actors the freedom to find those characters,” Tull explains of the time they took with each performer to carefully uncover how these modern interpretations of famed characters would come to life. “[Throughout the process]some looks were psychotic, some were pretty, some were total Club Kid clowncore, until we settled and found something that they really vibed with and wanted to apply on their face eight shows a week.”

Evans in the makeup chair.

That is abundantly clear in Evans’s Frank-N-Furter, whose electrifying aesthetic is both reminiscent of the character’s famous roots while also a complete departure from the famed source material. Gone are Tim Curry’s colorless face palette and short curls, and in their place: bold, painted-on brows, seafoam green-glitter eyelids, and a wig so fabulous, Evans can’t help but twirl its ends numerous times throughout the show (when he’s feeling flirty, you know?).

“The first day I put Luke in Frank-N-Furter makeup, Sam told us to ‘go really small,’ and I said, ‘Great!’ And then I did not go very small; I went very Siouxsie Sioux, Club Kid drag…and Luke loved it,” says Tull. According to Evans, it’s his exaggerated brows and the “sharp, smoky intensity around the eyes” that are key to his transformation, allowing him as Frank to “control the room, seduce everyone, and destroy people a little bit at the same time,” he says. “There’s something almost cinematic about this version of [Frank-N-Furter]—beautiful, dangerous, and sexy.”

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